The London Art History Society Review

• Sir Joshua Reynolds: elevating art
  Kate Retford
• The Normans in southern Italy
  John McNeill
• Matteo Civitali and the south transept of Lucca Cathedral: a closer look
  Geoffrey Nuttall
• Media revolution: printmaking in the fifteenth century
  Ursula Weekes
• Gwen John: artist as saint
  Lisa Thefaut

• Carel Fabritius 1622-1654. The painter of The Goldfinch
  Clare Ford-Wille
• Leon Battista Alberti 1404-1472
  Andrew Spira
• Still keeping us in the dark? The art of Walter Sickert
  Nicola Moorby
• From the House of Illustration to the Quentin Blake Centre for Illustration
  Lindsey Glen
• Francis Frith: a Victorian photographer in Egypt and Palestine
  Simon Constantine
• Treasured trimmings: ephemeral ribbons and the curation of sartorial likeness in feminine portraiture, 1750-1790
  Julia Eberhardt

• Paula Rego
  Anna Moszynska
• Neo-Brutalism
  Mark Crinson
• Antoine Watteau: reconsidering his art after three hundred years
  Yuriko Jackall
• The master carver’s masterpiece: revisiting Grinling Gibbons’ ‘most superb monument’
  Andrew Loukes
• Implausible beings and the sleep of reason: the grotesqueness of the grotesque
  Andrew Taylor
• Paul Strand’s portrait of an Italian village
  Tim Satterthwaite
• The female gaze on empire: missionary photography and political agency
  Sasha Morse

• Raphael’s Saint Catherine
  Mattias Wivel
• Possessing the past: who should own antiquities
  Dominic Selwood
• A masculine and daring spirit: Angelica Kauffman
  Kate Retford
• The formation of a sculptor: the early work of Henry Moore
  Hannah Higham
• John Tenniel (1820-1914)
  Barrie MacDonald
• The woodblocks of Tenniel’s illustrations for Alice 
  Michael Wace
• Ernst Barlach, sculpture and the ‘terrible year’ 1937
  Deborah Lewer
• Andover: an expanded town
  Adam Coleman
• Polaroids and participation: Carlo Leppe’s Cita a Ciegas 
  Christie Johnson

• Leonardo da Vinci’s drawings for the Battle of Anghiari
  Francis Ames-Lewis
• The Bauhaus legacy
  Andrew Spira
• Natalia Goncharova and women artists of the Russian avant-garde before the First World War
  Natalia Murray
• Enshrining the miraculous image in Renaissance Umbria
  Dorigen Caldwell
• Harry Clarke: stained-glass artist and illustrator
  Jessica O’Donnell
• Looking for Giotto
  John Renner
• A feast for the eyes: Richard Newton’s A Paper Meal with Spanish Sauce
  Nicholas Babbington
• London Art History Society: Programme 2019-2020

• The Reconquest of Spain and the dawn of the Golden Age
  Jacqueline Cockburn
• Lorenzo Lotto and his portraits
  Clare Ford-Wille
• Sir James Thornhill’s Painted Hall in Greenwich revealed
  Anna Mason
• Boris Anrep’s London mosaics
  Jane Williams
• Piano nobile: the architecture of Renzo Piano
  Chris Rogers
• ‘Opening up Art History’: fifty years of the Department of History of Art at Birkeck
  1. Origins and early development, 1967-2005
  Francis Ames-Lewis
  2. Continuity, upheaval, and new directions since 2005
  Leslie Topp
• Broadening the art historical narrative: Okwui Enwezor at the Haus der Kunst in Munich
  Sunil Shah
• London Art History Society: Programme 2018-19

• Celebrating the art of Murillo for 400 years
  Xanthe Brooke
• Back out there? Contemporary public sculpture in London
  Chris Rogers
• Martin Luther, the Reformation and art for Protestants
  Joachim Strupp
• Cassiano dal Pozzo and the ‘Paper Museum’
  Christopher Moock
• Art and the Russian Revolution
  Andrew Spira
• The London Art History Society Prize for Best Modern Period Masters Dissertation at Birkbeck
  Kate Retford
• Dark tourists at Bedlam: madness and spectacle in eighteenth-century London
  Anna Jamieson
• ‘Life itself’: Victoria and Albert as living statues
  Wil Roberts
• London Art History Society: Programme 2017-2018

• ‘Very old, but still the best in painting’: celebrating the Art of Giovanni Bellini
  Caroline Campbell
• Shakespeare in Art
  Robin Simon
• Buried treasure exposed: the riches of S. Maria Antiqua in the Roman Forum
  Eileen Rubery
• Paul Nash: was he a surrealist?
  David Boyd Haycock
• Conservation at the National Gallery and the Second World War
  Morwenna Blewett
• Georgia O’Keeffe (not in the online version)
  Tanya Barson

London Art History Society Programme 2016-2017

• Barbara Hepworth: Sculpture for a Modern World
  Sarah Turner
• England and Gardens of the East
  Paula Henderson
• Emerging from the Shadows: Goya’s Self-Portraits
  Jacqueline Cockburn
• The New Courtauld Drawings Gallery
  Deborah Swallow, Stephen Witherford, Ernst Vegelin van Claebergen & Stephanie Buck
• Julia Margaret Cameron, 1815-1879
  Patrizia Di Bello
• Hail and Farewell
  Jacqueline Leigh

London Art History Society Programme 2015-2016

• Rembrandt: The Late Works
  Clare Ford-Wille
• The Art Fund
  William Vaughan
• Kenneth Clark: Looking for Civilisation
  Jonathan Conlin
• Is the Future Cast?
  Polly Bielecka
• Testimony of War: Artists in the Great War
  David Boyd Haycock
• New Architecture for the Arts in London
  Susan Richards

ULEMHAS Programme 2014-2015

• Facing the Modern: The Portrait in Vienna 1900
  Michelle Gonsalves
• Landscapes of London: The City, the Country and the Suburbs 1660-1840
  Elizabeth McKellar
• Imperial Relics and the Architecture of Display in Late Medieval Europe
  Zoë Opačić
• The White Cube from Inside Out
  Graham Steele
• The Wedgwood Museum – going to Pot?
  Bruce Tattersall

Book List

• In Search of Rex Whistler: His Life and his Work by Hugh and Mirabel Cecil
  Liz Newlands
• The Book of Kells by Bernard Meehan
  Veronica Cutler
• The Books that Shaped Art History edited by Richard Shone and John-Paul Stonard
  Patricia Braun
• Portrayal and the Search for Identity by Marcia Pointon
  Patricia Braun
• A is a Critic: Writings from The Spectator by Andrew Lambirth
  Liz Newlands
• John Nash: Architect of the Picturesque by Geoffrey Tyack
  Rosemary Clarke
• Egypt in England by Chris Elliott
  Rosemary Clarke
• Carscapes: The Motor Car, Architecture and Landscape in England by Kathryn A. Morrison and John Minnis
  Rosemary Clarke

ULEMHAS Programme 2013-2014

• Seduced by Art: Photography Past and Present
  Hope Kingsley and Christopher Riopelle
• The Works of Mercy in Italian Medieval Art c.1050-c.1400
  Federico Botana
• The Ingenious John Carter
  Terry Friedman
• Modern Art and Christian Faith
  Richard Harries
• The Estorick Collection of Modern Italian Art
  Roberta Cremoncini

Book List

• In Search of a Masterpiece by Christopher Lloyd
  Patricia Braun
• Just My Type: A Book About Fonts by Simon Garfield
  Liz Newlands
• Nikolaus Pevsner: The Life by Susie Harries
  Jacqueline Leigh
• Rossetti: Painter and Poet by J.B. Bullen
  Jacqueline Leigh
• Series: Paul Mellon Centre for Studies in British Art
  Rosemary Clarke
• City of Gold and Mud: Painting Victorian London by Nancy Rose Marshall
• Inigo Jones: The Architect of Kings by Vaughan Hart
• The London Square: Gardens in the Midst of Town by Todd Longstaffe-Gowan
• Vauxhall Gardens: A History by Alan Borg and David Coke
• The Eighteenth-century Church in Britain by Terry Friedman

ULEMHAS Programme 2012-2013

• Leonardo da Vinci: Painter at the Court of Milan
  Luke Syson and Per Rumberg
• Dante Gabriel Rossetti: The Anatomy of Desire
  J.B. Bullen
• Slaves to Fashion: Jan Gossaert and Renaissance Art
  Richard Williams
• Changes at the Courtauld Gallery 
  Caroline Campbell
• The Chapel of the Holy Cross at Vézelay
  Alexandra Gajewski

Book List

• The Primacy of Drawing by Deanna Petherbridge
  Elizabeth Lowry-Corry
• Art: The Whole Story, edited by Stephen Farthing
  Elizabeth Lowry-Corry
• Romantic Moderns by Alexandra Harris
  Rosemary Clarke
• Lost Victorian Britain by Gavin Stamp
  Rosemary Clarke
• The Temple Church in London, edited by Robin Griffith-Jones and David Park
  Anne Scott
• Mirror of the World by Julian Bell
  Elizabeth Lowry-Corry
• Destination Art by Amy Dempsey
  Rosemary Clarke
• The Art of Anglo-Saxon England by Catherine E. Karkov
  Rosemary Clarke
• Marking the Hours by Eamon Duffy
  Jacqueline Leigh
• Caravaggio by Andrew Graham-Dixon
  Robin Rhind
• The Hare with Amber Eyes by Edmund de Waal
  Jacqueline Leigh

ULEMHAS Programme 2011-2012

• Gauguin: Maker of Myth
  Belinda Thomson and Christine Riding
• ‘A Hand Obedient to the Mind’: Michelangelo’s Writings on Sculpture
  Ann Halliday
• The Flemish Invention of Landscape
  Clare Ford-Wille
• Picasso in 1932: Uncanny Eroticism?
  Neil Cox
• John McNeill: An Appreciation
  Jacqueline Leigh
• Far Afield and Not So Far at the Royal Academy
  Elizabeth Lowry-Corry

Book Reviews

• John Piper, Myfanwy Piper by Frances Spalding
  Susan Richards
• Merchants, Princes and Painters by Lisa Monnas
  Elizabeth Lowry-Corry

• The Sacred Made Real 
  Susan Wilson
• The Lord of the Manor’s Psalter and the Poor Man’s Bible 
  Michelle P. Brown
• Thomas Hudson and the Foundling Hospital 
  Jim Gledhill
• Herculaneum: The Last 300 Years and the Future 
  Christina Grande
• The Rembrandt Research Project: An Assessment 
  Adrian Esdaile

Book Reviews

• If the Paintings Could Talk by Michael Wilson 
  Ann Halliday
• Cave Art by Jean Clottes 
  Jacqueline Leigh

• Renaissance Faces
  Elena Greer
• The Embellishment of the Crystal Palace
  Mike Davies
• A Little-known Drawing from the Workshop of Vittore Carpaccio
  Caroline Brooke
• Henry Tonks: Artist and Surgeon
  Mike Smith
• Paint and its use in the Restoration of Buildings
  Catherine Hassall

Book Reviews

• Mirror of the World by Julian Bell 
  Elizabeth Lowry-Corry
• Edvard Munch by Sue Prideaux 
  Susan Richards

• Renaissance Siena: Art for a City 
  Simona Di Nepi
• Sir John Soane’s Museum: ‘The Union of Architecture, Sculpture and Painting’ 
  Helen Dorey
• Angst and Plaster: Aspects of Post World War II British Sculpture 
  Mike Smith
• Lord Capel’s Garden 
  Celia Fisher
• Strawberry Hill: its Past and its Future 
  Michael Snodin

Book Reviews

• Architecture and Society in Normandy 1120-1270 by Lindy Grant 
  Anne Scott
• Sir Ninian Comper by Anthony Symondson and Stephen Bucknell 
  Claire Andrews

• Holbein in England
  Tim Batchelor
• Why Medieval Old Sarum?
  John McNeill
• The Goldsmith’s Art in Renaissance Italy
  Donal Cooper
• The Illuminator: Master in Miniature?
  Valerie Nunn
• Velázquez
  Simona Di Nepi

Book Reviews

• The Mirror of the Gods by Malcolm Bull
  Ann Halliday
• The Vexations of Art Velázquez and Others, by Svetlana Alpers
  Elizabeth Lowry-Corry

• Samuel Palmer (1805-1881) Vision and Landscape Exhibition 
  William Vaughan
• Turner as Pupil and Teacher 
  Andrew Wilton
• Leonardo da Vinci’s Portrait of Isabella d’Este 
  Francis Ames-Lewis
• Some Collectors and their Collections at Glynde Place 
  Cara Bird & Elizabeth Lowry-Corry
• How Reading History of Art can Change Your Life 
  Claire Gapper

Book Reviews

• The Medieval Stained Glass of Wells Cathedral, by Tim Ayers 
  Anna Eavis
• Hawkwood by Frances Stonor Saunders 
  Liz Newlands

• Raphael: From Urbino to Rome 
  Carol Plazzotta
• Limoges Painted Enamels 
  Erika Speel
• Friends of Turner’s House
• Rewriting His Story: Feminist Art Practices Since the 1970s 
  Catherine Mason
• Hogarth and Garrick: The Artist, The Actor and The ‘Imitation of Nature’ 
  Catherine Parry-Wingfleld
• The Future of History of Art and Architecture at FCE 
  Elizabeth McKellar

Book Reviews

• Westminster Abbey The Lady Chapel of Henry VII edited by Tim Tatton-Brown & Richard Mortimer 
  Anne Scott
• Cellini: Artist, Genius, Fugitive by Derek Parker 
  Ann Halliday

• Preview of the Late Gothic Exhibition 
  Eleanor Townsend
• The Battle for Culture: Tradition & Modernism in Fascist Italy and Germany 
  Anna Leung
• The Travels of Correggio’s School of Love 
  Norman Coady
• Commissioned Visions 
  Roger Tolson
• Platonic Geometry and the Cathedral of Bourges 
  Anne Scott
• Recollected in Tranquillity: the founding of ULEMHAS
  Claire Andrews

Book Reviews

• Hand, Head and Heart by Hazel Morris
  Claire Andrews
• Medieval Architecture by Nicola Coldstream
  Elizabeth Lowry-Corry
• The East Cloister Walk of Saint-Aubin at Angers by John McNeill 
  Anne Scott

In this issue Claire Andrews describes the founding of the University of London Extra-Mural History of Art Society — ULEMHAS (you can also read her words here). A decade later, when another funding crisis caused the abolition of the Extra-Mural Department, Birkbeck College took over its Diploma programme, which now flourishes as part of the Faculty of Continuing Education.