Thomas Gainsborough, Wooded upland landscape with shepherd an sheep, mid 1780s. Art Gallery of South Australia.

Member Lectures

Gainsborough as a landscape draughtsman

  • Wednesday 6 March 2019
    (6 pm)
  • The Art Workers’ Guild, 6 Queen Square, Bloomsbury, London WC1N 3AT
  • Lecturer: Hugh Belsey

Gainsborough was amongst the most consummate draughtsman of the eighteenth century. He sketched as a summation of seeing and he drew finished compositions to present to friends, sometimes making pastel portraits as gifts to curry favour with sitters. He continually experimented with graphic techniques blurring the boundaries between prints, drawings and paintings. Few artists have used their drawings in such an innovative and experimental way.

This lecture is in memory of Anne Scott, a former Chairman and long-term Committee member who contributed greatly to the Society over many years.  The retiring collection at her funeral was very kindly donated to the Society and has been used to fund this lecture.

Lecturer

Hugh Belsey MBE is an independent scholar, curator, writer, broadcaster and lecturer. Hugh is a graduate of the Universities of Manchester and Birmingham. For 23 years he curated Gainsborough’s House in Sudbury. His ambitious two-volume catalogue raisonné of Thomas Gainsborough’s portraits and copies of Old Master works was published by Yale University Press in February 2019 and it was awarded the William W B Berger Prize for British Art History in 2020. He has lectured to groups in Europe, America, Australia and Britain. He has also appeared as an expert witness in both the BBC series Fake or Fortune? and in BBC4’s Britain’s Lost Masterpieces. www.hughbelsey.co.uk

Members only

Completed